Field notes from walking as performance practice

Relationships are central to this form of artistic work. In participatory art, we speak of relational aesthetics. It deals with ‘the processes of love’. Elements of these aesthetics are part of our everyday lives, while at the same time being components of an unusual – because ultimately invisible – sculpture. Beuys called this approach ‘invisible sculpture’: formations that initially occur in the invisible relational space before materialising and becoming concrete. No one can ever see them as a whole. 

on foot from Vendel Sweden to Odessa Ukraine
Came out of a longing to make a work with the formless.

La actitud flâneur a través de dos acciones artísticas propias: Mujer-anuncio (2016) y Mujer-árbol (2017).

I aim to map an unknown territory, to deal with my own disappearance. For the past years, I’ve tried to understand death and our dying bodies through my work. I’m interested in the identification of the being with its matter, weight and transformation, and how we deal with our own demise. Tied to my future dead body, trying to be contemporaneous to my own death, I performed reflections and exercises in sculpture, writing, drawing, performance and video that helped me increase my comprehension and involvement with time, space, and decay.

suit & wood

International Sokołowsko Festival of Ephemeral Art, Sokołowsko, Poland - July 23, 2017

Alternative DIY walk-tours (2016-2017)

“Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.”