Walking is a process through which one repetitively ‘aligns’ one’s body with the environment in the present moment. It uncovers and re-orders the ‘creative tension of self and world’ (Wylie, 2013: 62). As an outdoor performance deviser from Athens, Greece, I have been wandering through sites of calamity, anger and despair. The changes in the social and cultural fabric of this specific geographical place have caused shock and emotional pain disclosing different kinds of collective wounds in situ.